every other Tuesday night @ 3506 Nicollet Ave S. Mpls, MN – 8 pm
Come celebrate a great run at the Art of This Gallery space
and our ongoing relationship as the series finds a new home
This will be another fundraiser for our future and securing a new home for the series.
$3-10
- – - – -
Take Acre
Rich Barlow, Jaron Childs, Charles Gillett, Davu Seru
Paul Metzger & Davu Seru
George Cartwright, Andrew Broder, Tim Glenn
Aerosol Pike
Philip Mann (alto & tenor saxes, bass clarinet, percussion)
Ryan Reber (soprano sax, cello)
Rick Ness (alto sax, B flat clarinet, multi-toned tenor bugle, percussion)
Charles Gillett & Mike Hallenbeck
Bryce Beverlin II & Jacob Felix Heule (San Francisco, CA)
Jacob Felix Heule is a drummer and electronic musician whose music directly expresses sonic texture and timbre through the discipline of free improvisation.
Spanning extremes of physicality and intensity, stasis and restraint, his music follows from the traditions of electro-acoustic improv and noise.
In 2004 he founded the acoustic grind duo, Ettrick, with both members playing both drums and saxophones in a style often described as a hybrid of free jazz and black metal.
Heule has worked extensively with double bassist Tony Dryer since 2006, exploring heavy electronics as Basshaters since 2008. Their textural acoustic improv trio
with clarinetist Jacob Lindsay released its debut album, Idea of West, on Creative Sources in 2008. Heule and Dryer also have a trio CD with saxophonist Jack Wright,
and have performed live with diverse musicians such as Michel Doneda, C Spencer Yeh, Gino Robair, and Damon Smith.
1st set
Milo Fine drum set (bowed cymbals)
Paul Metzger modified banjo and/or guitar, guitar, spontaneous composition generator
2nd set
Milo Fine drum set (bowed cymbals), B flat clarinet
Charles Gillett guitar
Viv Corringham voice
Elaine Evans violin
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Milo and Paul recently released a split 12″
It will be available for purchase at this show
Nero’s Neptune LP #12
Milo Fine “Concerning The Other Condition”
b/w
Paul Metzger “Spontaneous Composition Generator”
Strictly limited edition of 421 vinyl copies
Screen-printed onto wax paper sleeves, 180 gram vinyl
Distributed by Treehouse Records @ treehouserecords@gmail.com
Side Milo:
1) Moosbruger
2) Ulrich
Side Metzger
1) 18:43
’Moosbruger’ was recorded on the occasion of my first public collaboration with Paul Metzger. Before the concert, and for a number of
reasons, my thought was that, when my name was drawn for a solo, I’d be playing drum set. But, as befits the spirit of improvisation (the moment), I grabbed the B flat clarinet, and then, echoing the first time I played piano in public (1971), moved off stage to the prepared piano remains, where the two instruments conjoined. “Ulrich” is a self-contained section of a set-long {drum} solo I played at the Art of This Gallery’s Tuesday Night Improvised Music Series. ‘Moosbruger’ was recorded on March 21, 2009. ‘Ulrich’ was recorded on January 20, 2009.
–Milo Fine
I created the Spontaneous Composition Generator to produce a random series of musical actions. It is a device consisting of 37 altered music box movements mounted in a wooden painter’s box. The alterations include dampening, detuning, replacing, removing, doubling, and reversing the tines. Most of the original melody pins on the cylinders were removed. Rubber bands of various lengths and thicknesses were attached to the winding stems to facilitate a continuously variable tension. One dozen hand-wired piezo pickups are attached to output a stereo signal. The piece on this recording was created November 9, 2009 with a time of 18:43. It was specifically made as a complement to Milo’s contributions to this Nero’s Neptune LP.
–Paul Metzger
Charles Gillett (electric guitar) & John O’Brien (trumpet)
John Zuma Saint-Pelvyn (guitar)
Jaron Childs (alto sax), Jesse Petersen (guitar), and Davu Seru (percussion)
Naomi Joy (violin, voice)
(of the local band Mother of Fire)
HeatdeatH (guitar, electronics, drums)
(Andrew Broder & Tim Glenn)
Charles Gillett guitar
(celebrating a tape-release on Bryce Beverlin II’s insidesmusic
“A = B. A is B. A represents B. (do what I do, do what I say).”
Ryan Reber: soprano sax
Milo Fine: B flat clarinet
Elaine Evans: acoustic violin
Aerosol Pike + 5
Philip Mann: alto sax, bass clarinet, drum set
Ryan Reber: soprano sax
Rick Ness: drum set, B flat clarinet, alto sax, multi-toned tenor marching bugle
Milo Fine: marimba, B flat clarinet
Davu Seru: amplified cello
Charles Gillett: guitar
Stefan Kac: tuba
Elaine Evans: amplified violin, pocket trumpet
Charles Gillett (guitar) & Stefan Kac (tuba)
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Jaron Childs (alto saxophone) & Jesse Petersen (guitar)
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George Cartwright (saxophones) & Davu Seru (percussion)
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Elaine Evans
Mike Hallenbeck & Tim Glenn
Take Acre (Richard Barlow, Jaron Childs, Charles Gillett, Davu Seru)
Rafael Toral Lisboa, Portugal
Rafael Toral is researching performance in “post-free jazz electronic music”. Using custom, experimental electronic instruments, he’s developing the long-term Space Program to structure musical phrasing in electronics. Approaching jazz as a system of individual decision-making from the viewpoint of electronics, his conception deals with physical performance, “phrasing and swing”, instruments with sonic identity, and articulation of silence and sound.
Formerly known for his drone/ ambient work with guitar and electronics and acclaimed records such as Wave Field (1994) or Violence of Discovery and Calm of Acceptance (2000), in 2003 he decided to completely renew his approach to music, launching the Space Program in 2004.
In 2006 he released Space, followed by Space Solo 1 in 2007 and Space Elements Vol. I in 2008. Also in 2008 premiered the Space Collective, a slowly developing orchestral group.
He has also released a handful of records on the local label TAIGA Records.
Jaron Childs, Charles Gillett, Davu Seru
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and
Justin Meyers Tone Filth Records & Tapes … ex-DEVILLOCK, GLASS ORGAN
Videos shot by Amy Waksmonski
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