burger

July 20, 2010

posted by casey on 2010.07.15, under Musics

Davu Seru – percussion
Milo Fine – B flat/E flat/alto clarinets

Squid Fist – percussion, voice, electronics
Bryce Beverlin II
Tim Glenn
Casey Deming

KAMAMA
Audrey Chen (Baltimore, MD) – cello, voice, electronics
Luca Marini (New York, NY) – drums, percussion

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Kamama in Cherokee means both elephant and butterfly. There is no overlap in meaning other than the supposed resemblance of the long trunk and flapping ears to the proboscis and wings of that insect. This duo loosely embodies elements of this kind of disparate pairing. Chen and Marini combine the raw energies resultant from and continuously growing out of their respective histories and experiences. Since their first encounter early this year in 2010, they have been forming a new language which steadily deepens, evolves, converges and exposes their inherent similarities and striking differences. It is ecstatic music; it is contrary music; and at times they depart completely from one another as two distinct creatures, but then are drawn back into the fold of an undeniable tenderness and comprehension.

Audrey Chen is a Chinese-American musician who was born into a family of material scientists, doctors and engineers, outside of Chicago in 1976. Parting ways with the family convention, she turned to the cello at age 8 and voice at 11. After years of classical and conservatory training in both instruments, with a resulting specialization in early and new music, she parted ways again in 2003 to begin new negotiations with sound in order to discover a more individually honest aesthetic.

Now, using the cello, voice and analog electronics, Chen’s work delves deeply into her own version of narrative and non-linear storytelling. A large component of her music is improvised and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of a homemade analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.

Recently, her primary focus has been her SOLO project but she is also involved in many various collaborations. Among musicians, she has worked with Phil Minton, Tetuzi Akiyama, Toshimaru Nakamura, Ko Ishikawa, Elliott Sharp, Aki Onda, Phill Niblock, Frederic Blondy, Jerome Noetinger, C. Spencer Yeh, Alessandro Bosetti, Mats Gustafsson, Mazen Kerbaj, Michael Zerang, Tatsuya Nakatani, Le Quan Ninh, Joe Mcphee, Susan Alcorn, Michele Doneda, Paolo Angeli, Gianni Gebbia, plus many more.

Some current projects include: duos with Phil Minton, Luca Marini (kamama), Frederic Blondy, Robert van Heumen (abattoir), Katt Hernandez (Isabel), Nate Wooley (heave and shudder), and Id M Theft Able. Trio with Nate Wooley and C. Spencer Yeh. Plus three new quartet projects with Jeff Carey/Morten J. Olsen/Raed Yassin, Miya Masaoka/Hans Grusel/Kenta Nagai and also with Frederic Blondy/Michael Johnsen/Jerome Noetinger.

Chen has performed in Europe, Russia, Australia, New Zealand, China, Japan, Taiwan, Canada and the USA. She is currently based in Baltimore, MD USA but primarily maintains an active touring schedule throughout Europe.

For more information, sound clips and video:
here

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Luca Marini is a German/Italian drummer who mostly grew up in France and is now based in New York. After studying jazz and improvised music at various conservatories and music colleges in Europe and North America, he developed his own language and approach to percussion while living in Berlin.

He performed and toured in Europe and North America playing improvised music, jazz, rock and electronic music with bands and artists like the GRIPI collective, SONIDO13, INEZEBA, Spyros Manesis trio, Nicolas Masson, Roberto Pianca, Tom Blancarte, Dario Fariello, Matan Gov Ari, Louise D.E. Jensen, Johannes Lauer, Raoul van der Weide, Wanja Slavin, Filippo Giuffré, Gael Navard and Natalio Sued.

Current bands include the duo HERBERT ECKARDT with Danish saxophonist Louise D.E. Jensen, the duo BLIN with Dutch guitarist Jasper Stadhouders, KAMAMA with Chinese-American cellist and vocalist Audrey Chen, CAVEX from Brooklyn, The LITTLE from Germany and TATUNE from France. Other collaborations include works with Matt Meade, Kenny Warren, Tom Blancarte, Xavier Lopez, Vilijam Nybacka, John Stanesco, JMSU, and Frans van der Hoeven.

For more information and sound clips:
here

burger

June 8, 2010

posted by casey on 2010.06.02, under Musics

1st set
Milo Fine drum set (bowed cymbals)
Paul Metzger modified banjo and/or guitar, guitar, spontaneous composition generator

2nd set
Milo Fine drum set (bowed cymbals), B flat clarinet
Charles Gillett guitar
Viv Corringham voice
Elaine Evans violin

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Milo and Paul recently released a split 12″
It will be available for purchase at this show

Nero’s Neptune LP #12
Milo Fine “Concerning The Other Condition”
b/w
Paul Metzger “Spontaneous Composition Generator”
Strictly limited edition of 421 vinyl copies
Screen-printed onto wax paper sleeves, 180 gram vinyl

Distributed by Treehouse Records @ treehouserecords@gmail.com

Side Milo:
1) Moosbruger
2) Ulrich

Side Metzger
1) 18:43

’Moosbruger’ was recorded on the occasion of my first public collaboration with Paul Metzger. Before the concert, and for a number of
reasons, my thought was that, when my name was drawn for a solo, I’d be playing drum set. But, as befits the spirit of improvisation (the moment), I grabbed the B flat clarinet, and then, echoing the first time I played piano in public (1971), moved off stage to the prepared piano remains, where the two instruments conjoined. “Ulrich” is a self-contained section of a set-long {drum} solo I played at the Art of This Gallery’s Tuesday Night Improvised Music Series. ‘Moosbruger’ was recorded on March 21, 2009. ‘Ulrich’ was recorded on January 20, 2009.
–Milo Fine

I created the Spontaneous Composition Generator to produce a random series of musical actions. It is a device consisting of 37 altered music box movements mounted in a wooden painter’s box. The alterations include dampening, detuning, replacing, removing, doubling, and reversing the tines. Most of the original melody pins on the cylinders were removed. Rubber bands of various lengths and thicknesses were attached to the winding stems to facilitate a continuously variable tension. One dozen hand-wired piezo pickups are attached to output a stereo signal. The piece on this recording was created November 9, 2009 with a time of 18:43. It was specifically made as a complement to Milo’s contributions to this Nero’s Neptune LP.
–Paul Metzger

burger

January 5, 2010

posted by casey on 2010.02.28, under Musics

Ryan Reber: soprano sax
Milo Fine: B flat clarinet
Elaine Evans: acoustic violin

Aerosol Pike + 5
Philip Mann: alto sax, bass clarinet, drum set
Ryan Reber: soprano sax
Rick Ness: drum set, B flat clarinet, alto sax, multi-toned tenor marching bugle
Milo Fine: marimba, B flat clarinet
Davu Seru: amplified cello
Charles Gillett: guitar
Stefan Kac: tuba
Elaine Evans: amplified violin, pocket trumpet

burger

June 23, 2009

posted by casey on 2010.02.28, under Musics

Milo Fine: electronic piano (electronics)

Charcoal
Milo Fine: electronic piano (electronics)
Anthony Cox: bass
Davu Seru: drum set
Stefan Kac: tuba

burger

January 20, 2009

posted by casey on 2010.02.02, under Musics

Tatsuya Nakatani (drum set/gongs)

Milo Fine (drum set/bowed cymbals)

Milo Fine (B flat clarinet) & Charles Gillett (guitar)

Tatsuya Nakatani is on tour and will be visiting us.
He was born in Osaka, Japan and is currently residing in Easton, Pennsylvania.
Some of you may remember him when he played the series last year.
For more information on Tatsuya, visit here.

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